摘要
《惠崇春江晓景(二首)》是苏轼广为传颂的题画诗,其题名有"晚景"与"晓景"之说。最早由苏东坡生前亲自编定的《东坡七集》作"晓景",其后在诸多注本中却都是"晚景"。从东坡诗集的版本源流以及选录该诗的选本来看,此题经历了由最早的"晓景"到后世大行其道的"晚景"的演变过程。仔细将题名同本诗的内容以及惠崇的画作加以结合分析,"惠崇春江晓景"更为接近苏轼诗歌的原貌。
Inscriptions on Huichong's Painting of a Spring River are the most famous Su Shi's poems inscribed on paintings,and the titles of the poems has two different versions,Evening Scene and Morning Scene,which was named by Su Dongpo first as Morning Scene,and Evening Scene in the other following connotations.Seeing from the origin and development of the versions,the title has undergone through the evolution from Morning Scene to Evening Scene.Through a careful study of the content and the paintings by Huichong,Morning Scene of Huichong's Painting of a Spring River is more accurate.
出处
《汉江师范学院学报》
2017年第5期32-38,共7页
Journal of Hanjiang Normal University
关键词
《惠崇春江晓景》
题名
版本源流
组诗内容
画作风格
Inscription on Huichong's Painting of a Spring River
title, origin and development of versions
content in the set of poems
painting style