《女神》文学史意义新识——从中国现当代文学的一种发展走向考察郭沫若的文学史行为

The New Knowledge on the Significance of Literature History of Goddess——A Study of Guo Moruo's Literature History from a Trend of Chinese Modern and Contemporary Literature

自"五四"到上世纪70年代后期新时期文学诞生之前的中国现当代文学史,就是政治倾向文学向政治斗争文学发展的历史。从这一发展走向着眼,考察郭沫若上世纪前期出版的《女神》可以发现,它不但是中国现当代文学史上第一部真正意义上的新诗集,也是第一部革命浪漫主义诗作,更是无产阶级政治斗争文学的启动器,是连接政治倾向文学和政治斗争文学的桥梁。总观郭沫若的文学史行为,其文学史意义都体现在文学与政治的关系上。

The history of Chinese contemporary literature before the birth of literature from May Fourth Movement to the late 1970s is the development history of political tendency literature to the political struggle literature. Through the study of Guo Moruo^ goddess published in the early 20th century can be found, it is not only the the first real meaning new poetry of the history of Chinese contemporary literature, but also the first romantic po-ems of revolution, the initiator of the proletariat political literature, and the bridge connecting the political ten-dency literature and political struggle literature.The general view of Guo Moruo literary history and the signifi-cance of his literary history are embodied in the relationship between literature and politics.