歌剧需要“明星效应”——评安娜·涅特里布科的中国内地首秀

Opera and "star power":On Anna Netrebko's domestic debut

1986年,帕瓦罗蒂首次在中国大陆献唱;2001年,他又和多明戈、卡雷拉斯献唱于北京。在这之后,鲜有歌唱家能引发那么大的轰动效应。毕竟时代在变,市场环境在变,观众也在变。近些年来,里奥·努奇、蕾内·弗莱明、安杰拉·乔治乌、安娜·涅特里布科,以及即将踏入中国的乔纳斯·考夫曼,这些闪耀于世界歌剧界的＂明星＂纷纷踏上了中国舞台,这种趋势在进入21世纪之后越发明显。中国的歌剧市场正以自信、平和的姿态迎接他们的到来。

Real markets are affected by 'star power,while any additional factors are likely to cause unnecessary problems.It is understandable that opera requires 'star power,' but there is always the danger of rampant abuse or belittling the art itself. After nearly 10 minutes of applause and three encores, a successful balance was struck.This event has just heralded the beginning of Anna Netrebko developing the China market.