《放血与神奇治愈》的叙事策略分析

Analysis of narrative strategies of bloodletting and miraculous healin

加拿大华裔作家林浩聪的处女作《放血和神奇治疗》(Bloodletting&Miraculous Cures,2005)以下简称:《放血》,一鸣惊人获得了"吉勒文学奖"(Giller Prize)。《放血》由12篇关于四位族裔不同的年轻医生的故事组成,既相互联系又独立成篇。小说叙述视点视角不断转换,聚焦手法独特,其叙述中有大量人物对话,意识流,并采用了穿插文件档案等独创的叙述手法。本文将结合加拿大华裔文学的发展趋势和华裔的生存处境,运用叙事学理论探讨林浩聪如何运用独特的叙事形式来丰满人物形象,淡化族裔文化背景,从而把关注的重点放在超越种族、文化的人类共性上。

the treatment of bloodletting and magic debut 〈 〉 Chinese Canadian writer Lin Haocong （Bloodletting Miraculous ＆ Cures, 2005） hereinafter referred to as： ＂bloodletting 〉, won the＂ blockbuster giller prize ＂（Giller Prize）. 〈 〉 bloodletting contains 12 es- says on four different ethnic young doctor＇s stories that are interrelated and independent text. Novel narrative point of view, the chang- ing perspective, focusing on the unique approach of the narrative in a large number of dialogues, stream of consciousness, and the origi- nal file archives with narrative techniques. In this paper. The development trend and the Chinese and Canadian literature of the situa- tion of the use of narrative study, Lin Hao Cong how to use the unique narrative form to plump figure theory, dilute the ethnic cultural background, so as to focus on beyond race, culture of human nature.