文化自觉:清代鄱阳湖区民间文献的传承与保护——以《梅花阁集》为例

Inheritance and protection of folk literature in Poyang Lake District during Qing Dynasty: taking Collection of Plum Pavilion as example

鄱阳湖是中国第一大淡水湖,是江西的母亲湖,孕育着悠久而丰富的农耕文明与渔业文明,因此挖掘鄱阳湖区民间文献意义巨大。《梅花阁集》为清代道光时期鄱阳文人程直仞所撰,窥斑见豹,它是鄱阳湖区民间文献之典范。该书成于道光年间,历经近二百年,《梅花阁集》具有珍贵的史料价值、文化价值与社会价值,是地方社会文化研究的第一手珍贵资料。当前,文化强国是时代最强音,文化自觉是时下学人的历史责任与共有之义,研究、整理与出版《梅花阁集》等民间文献,进行文化自觉,亦即传承与保护我国民间文献资料具有重要意义。

Poyang Lake is the largest freshwater lake in China. It is regarded as the mother lake in Jiangxi Province.It has a long and rich farming civilization and fishery civilization,and it is of great significance to excavate the folk literature in Poyang Lake District. Collection of Plum Pavilion was written during Qing Dynasty by Cheng Zhiren,which is the typical anthology of folk literature in Poyang Lake District. The book,written during Daoguang Regime of Qing Dynasty,has precious historical,cultural and social value after two hundred years＇ circulation,and it can provide the first hand document for social and cultural research of this area. In view of the fact that cultural consciousness is the historical responsibility of contemporary scholars,collecting,researching,collecting and publishing Collection of Plum Pavilion and other folk literature documents is of great significance in inheriting and protecting the folk literature in China.