萨满的“野人舞”及其神话原型

Shaman's “Wild Man Dance” and Its Mythical Prototype

萨满继承人传承下来的"野人舞"是远古萨满跳神留下来的活的舞蹈形式;岩画是远古萨满跳神留下来的图像"文献";两者可以互为阐释和说明:"野人舞"三段体结构的叙述性情节是远古岩画"二神转"图像的神话内容;远古岩画的"二神转"姿势是"野人舞"原初形式即原型。"野人舞"的仪式表现的是一个创世神话。但创世神话的舞蹈形式遗传下来了,并演变为二人转,而那个较为原始的创世神话故事却遗失了。满族的祭柳仪式和柳树生人神话,应该是创世神话原型的变形。

The “Wild Man Dance” inherited by Shaman’s heirs is the form of living dance handed down by the ancient Shaman dancing gods; the cliff painting is the picture “literature” left by the ancient Shaman dancing gods. The two can explain and illustrate each other： The narrative plot of three -section structure in the “Wild Man Dance” is the mythical content for the “God Dancing Duet” picture of the ancient cliff painting; the postures of the “God Dancing Duet” are original forms,namely the prototypes of the “Wild Man Dance”. Ritual performance of “Wild Man Dance” is a creation myth,and the dancing forms of the creation myth are handed down,and evolve into dancing duet？ but that more primitive creation myth is lost. The ceremony of offering sacrifices to willows and the myth of willows＂ giving birth to human of the Manchu are should be the transformations of the creation myth prototype.