摘要
《星火》杂志是"第三种人"最具有代表性的一份文学刊物。通过对《星火》杂志创办历史背景、办刊主旨、人员构成以及文学活动等的历史考察,笔者发现"第三种人"在"文艺自由"论争前后身份认同的转变,主导"第三种人集团"对左翼包括《文学》杂志在内的诸多不满与批评的背后正是其"小资产阶级革命文学"的理论逻辑,而以《星火》杂志为核心的文艺实践的失败恰如日本著名中国现代文学研究专家丸山昇所言,这和近代以来中国"中间派"的薄弱、思想的脆弱有关。
The Spark magazine was the most representative literary publication of the ^Third Gat- egory”. Through the study of its historical background,purposes,personnel composition and literary activities,the author found that *the Third Category” changed their identity after the debate on the^freedom of arts”. And the *petty bourgeois revolutionary literature” was the logic underlyinisfaction with and criticism of the Left-Wing of *the Third Category Group” ,included the Literature magazine. Just as Maruyama said, the failure of the literary practice, such as that of S p a r k, waslinked to the weakness of China's ^middle school” and their fragility of thought since the modern times.
作者
吴述桥
WU Shuqiao(College of Humanities , ZhejiangNormat University,Jinhua 3 2 1 0 0 4,China)
出处
《浙江师范大学学报(社会科学版)》
北大核心
2017年第6期18-24,共7页
Journal of Zhejiang Normal University(Social Sciences)
关键词
“第三种人”
《星火》
“小资产阶级革命文学”
“左联”
“the Third Category”
Spark
“petty bourgeois revolutionary literature”
“League of Left-Wing Writers”