“真心观”:晚明一种独特的文艺理念——以“明末四高僧”为中心

The “True-Mind Theory”:A Unique Literary and Artistic Idea of the Late Ming Dynasty:Focusing on “The Four Monks of the Late Ming Dynasty”

"真心"既是"明末四高僧"佛学思想的终极指归,也是他们文艺理念上的自觉诉求。他们在晚明建立起"真心"与文艺的互动关系,强调"真心"流露,标举出"真心观"这一文艺理念。"真心观"不同于晚明主流文学思潮而具有独特的内涵和价值,应引起文学史、文学思想史学者的关注。

True -mind” was , on the one hand , the ultimate destination of Buddhist thoughts and on the other hand,a conscientious pursuit of ＊ th e Late Ming four m o n k s”？ on the literary and artistic fields . They advocated the interaction between “ true -mind” and literature in t h e L a t e Ming D y n a s ty, emphasizing the revelation of the “ true -mind”,thus highlighting the “ true -mind” as a literary idea . The ＊ true-mind theory” is different from the mainstream literary trends of the Late Ming Dynasty and has a unique meaning and value, which, requires attention from those scholars who specialize in the history of literature and the history of literary ideas .