摘要
姚莹《谈艺图》系江阴画家吴俊于道光十七年(1837)秋所作。图后诸家题跋在某种程度上反映了姚莹在扬州的交游以及《谈艺图》的创作情况,体现了姚莹重视道艺均进以及以天下自任的经世思想,披露了麻溪姚氏与鲁谼方氏世代师承的关系以及姚莹晚年与乡贤往来的一些细节,同时还透视出李鸿章、江云龙、沈曾植、严复等名贤忧患时局的特殊心情。
YAO Ying＇s Tanyitu was created by WU Jun, a painter in Jiang Yin, in the 17th year of Emperor Daoguang＇s reign（1837）. Its preface and postscript reflect YAO Ying＇s circle of friends in Yangzhou and the creation of the work, embody his emphasis on both knowledge and skill as well as his thought of administering affairs, and disclose the inheritance relationship between the YAO clan in Maxi and the FANG clan in Luhong as well as some details of YAO Ying＇s communication with his townsmen during his late years. It also reflects the complex sorrowful mood of LI Hongzhang, JIANG Yunlong, SHEN Cengzhi, YAN Fu and other famous townsmen.
出处
《安庆师范大学学报（社会科学版）》
2017年第3期1-6,共6页
Journal of Anqing Normal University：Social Science Edition
基金
安徽省高校人文社会科学研究重点项目"桐城古代书画群体研究"(SK2015A383)
安徽省哲学社会科学规划项目"桐城明清世家书法研究"(AHSKY2015D137)
关键词
姚莹
《谈艺图》
桐城派
经世思想
YAO Ying
Tanyitu
the Tongcheng School
thought of administering affairs
