地域格局视野下明代曲坛的互动与争鸣

Interaction and Contention of the Ming Dynasty Qu Field from the Perspective of Regional Patterns

明代曲坛既有南北地域上的大空间之分,也存在围绕吴中等地的小空间性之别,其声腔曲调的地域特色与流派特征鲜明。不同地域之间的文人曲家既有戏曲唱和的交流互动,又有围绕曲坛演变的核心问题展开的批评争鸣。因此,在此视角下重新审视明代曲坛,无疑具有戏曲史和地域文学研究的双重意义。

The Qu field in the Ming Dynasty can be divided into the southern region and the northern region in terms of large space.And it can be also divided according to the small space like Wuzhong.It melodies have distinctive regional and school features.Interaction about opera singing and contention about core evolutionary issues existed among literati composer.Therefore,a re-examination of the Qu field in the Ming Dynasty has its dual significance in the study of both drama history and regional literature.