摘要
"伤痕"由最初的病理范畴扩延到了绘画、雕塑、文学、戏剧、电影等各个艺术领域。从70年代末80年代初关注青少年成长及青春疼痛的"伤痕文学",再到新世纪以来在青春电影中渐渐展现出来的更明显、更多元的由教育、金钱、性、暴力等引起的触及心理、灵魂、价值观、人生观的新的"青春伤痕",由"伤痕"主义到新"伤痕"主义,它伤在何处?痛在哪里?文章通过解读青春电影对这个时代青年们迷茫的青春与疼痛的灵魂的拷问,透视青春电影中的新伤痕主义病灶。
Scar has been expanded from pathology in the early beginning to various fields of painting, sculpture, literature, theatre, and fihn. From 1970s to new era, there comes a new youth scar touching psychology, soul, values, and view of life caused by education, money, sex, and violence. From scar - rism to new scar - rism, where is the hurt? Where is the pain? Through an interpretation of youth film, I will interrogate the perplexed youth and painful soul, so as to look into the new scar- ism in youth film.
出处
《艺术百家》
CSSCI
北大核心
2017年第5期77-80,227,共5页
Hundred Schools In Arts
基金
2015年度国家社会科学基金艺术学西部项目"青春电影的道德价值审视与重建"(项目编号:15EC172)阶段性成果之一