姚绶书画收藏对其《心赏》图册“渔父”图像的影响

Impact of Yao Shou's Calligraphy and Painting Collection upon the Image Fisherman in His Appreciation of the Mind and Soul

姚绶是明代前期文人画家中颇具代表性的人物,其作品上承元代文人画传统,下启吴门画派之风格。其代表作品《心赏》图册是他逝世前一年所作,凝练了其一生艺术创作的经验。图册中《心赏册引》篇可谓姚绶审美心理的一次告白,也显示了其推崇"真赏"、"以心为目"、追求艺术"妙夺天造"至高境界的情怀。图册共有八帧绘画,"渔父"形象多次出现其中。文章以"渔隐"图示为基础,探讨其《心赏》图册中"渔隐"图示正渊源于其收藏的前人书画作品。

Yao Mingshou was a representative figure of literati painters in early Ming dynasty, and his works inherited Yuan literati tradition and inspired Wu painting school. His masterpiece Appreciation of the Mind and Soul was created one year before his death, and it reflected the art creation experience of his life. The foreword of Appreciation of the Mind and Soul could be deemed as a confession of his aesthetic psychology, and showed that his supreme artistic feeling. There are 8 paintings in it, and in it, fisherman appeared many times. The graphic representation of fishing seclusion told us that it was profoundly impacted by his collection of predecessors＂ calligraphy and painting works.