摘要
天籁是物自然而然发出的声音,是接近物象的一种真理性。那么存在、真实等如何在艺术作品中呈现?特别是在现象学范围内对存在和生成的追问,贾科梅蒂面对的只是客观事实本身,以回到视觉的真实为艺术创作目标,对距离与空间中的实存进行反反复复的痕迹迭痕迹的描摹,在存在与虚无和遮蔽与解蔽的构成境域中不断切近艺术的真实,即天籁。
Sound of nature is a sound sent naturally, and it is a truth near to the objective. Then, how do we represent this existence and truth in artworks, especially a pursuit of existence and generation in the scope of phenomenology？ Giacometti faced the objective itself and went back to the visual truth, and depicted the existence of distance and space repeatedly, and he could go nearby to the artistic truth in the concealing and revealing of existence and nihility. This is so - called the sound of nature.
出处
《艺术百家》
CSSCI
北大核心
2017年第5期198-201,共4页
Hundred Schools In Arts
基金
2015年浙江省哲学社会科学重点研究基地"具象表现绘画与中国艺术精神研究"(项目编号:2015JDN06)阶段性成果之一
