摘要
抗战期间,王林的主要工作是写剧本和到农村演出,他将自己的工作称为"戏剧的游击战"。在王林的率真坦白的日记中,可以看到一个真实的未加"修饰"的抗战文艺界。王林的文艺观中,"写真人真事"居于重要地位,这是他根据抗战中自身工作情况做出的选择,并非因为对文艺创作外行。将王林日记与剧作"互文",可以对当年冀中抗战宣传工作有一个"感性"的认识。
During the Anti-Japanese War,Wang Lin's main job was to write plays and to perform in the countryside,and he referred to his work as "the guerrilla war in the form of drama". In Wang Lin's straightforward and candid diary,one can discern a real and unadorned Anti-Japanese War literary and art circles. In Wang Lin's view of literature and art,"the description of actual persons and events"is greatly important,for it was a choice made by him based on his specific work during the Anti-Japanese War rather than his unfamiliarity with the literary creation. The "intertextuality"of Wang Lin's diaries and drama can provide us with a "perceptual"awareness of the then propaganda work on the Anti-Japanese War in central Hebei.
出处
《海南师范大学学报(社会科学版)》
2017年第5期23-28,共6页
Journal of Hainan Normal University(Social Sciences)
关键词
王林
《抗战日记》
“抗战文艺”
Wang Lin
A Diary on the Anti-Japanese War
" the Anti-Japanese literature and art"