后现代主义思潮下邪典电影中审丑现象研究——以《天生杀人狂》为例

Study of Ugliness Appreciation in Cult Films Influenced by Postmodernist Trend——Taking Natural Born Killers as an Example

后现代主义指出它藐视一切权威、解构一切中心、嘲笑一切崇高、填平一切深度与消费主义、流行文化、拜金主义纠缠勾连,形成了当今最为复杂的社会思潮奇观。而邪典电影在这样的语境下就沾染了后现代主义的一切特征和色彩。审丑的两面性成为邪典电影两面性的体现,邪典电影既是开拓审美新领域的急先锋又是埋葬审美体验的掘墓人,它将丑推上瞩目的艺术舞台中心,又将它拉向媚俗的不归之路。

Postmodernism points out that it despises every authority,deconstructs every center,mocks every sublimity,and buries every depth. Mixed with consumerism,popular culture and money worship,it becomes the most complicated social zeitgeist right now. In this context,cult film has followed all features and colors of postmodernism.The duality of ugliness appreciation represents the duality of cult film,which is not only a pioneer developing new aesthetic areas,but also a grave digger burying aesthetic experience,so it pushes ugliness onto the eye-catching center of artistic stage,and also pulls it back to the vulgar path of no return.