摘要
在20世纪的西方学术界,美学研究发生了艺术学转向与生存论转向,文艺学研究发生了审美论转向与语言学转向。西方学术界美学研究、文艺学研究的这种状况对我国新时期的美学研究、文艺学研究曾产生过重大深远的影响,是导致我国美学研究艺术学转向、文艺学研究审美论转向的外在引发力量,因而构成了我国学术界倡导建立文艺美学学科的世界学术背景。
In the 20 th century,the aesthetics has realized the linguistic turn and the existential turn,and the literary study has veered to the destination of linguistics and aesthetics in the western academic circles. This kind of situation,which has had a profound and far-reaching influence on Chinese study of aesthetics and literary theories in the new era,is an important external power that has triggered the artistic turn of the study of aesthetics and the aesthetic turn of the study of literature theories. It is such an academic background that makes Chinese scholars begin to advocate the establishment of the discipline—Aesthetics of Literature and Art.
出处
《南昌师范学院学报》
2017年第5期108-111,共4页
Journal of Nanchang Normal University
基金
江西省社会科学规划重点项目"中国文艺美学学科发生研究"
编号:13WX01
江西省高校人文社会科学研究项目"中国文艺美学学科发生学研究"
编号:ZGW1401
关键词
文艺美学
西方现代美学
西方现代文艺学
审美论
Aesthetics of art and literary
Western Modern Aesthetics
Western Modern Theory of Literature
Aesthetics