现代国产动画电影中的美学传承与交融——以《西游记之大圣归来》美学探究为例

The Inheritance and Blending of Aesthetics in Modern Chinese Animated Films——Taking the Return of Pilgrimage to the West as an Example

中国动画发展至今,其美学风格一方面继续传承儒道文化为主的中国古典美学,另一方面结合当下社会时代背景,创新性地融入西方动漫美学形式。当下中国动漫美学特征正日渐成熟,既区别于之前中国动漫所具有的"中国学派"的美学特征,也区别于对日美动漫模仿阶段的美学形式。当下中国动漫电影的美学发展,在面对传统美学的传承与日美动漫美学的借鉴上,其内涵正在变得更加丰富和深刻,不再简单直观的传承与模仿,而是在本土文化基础上创新性地融入了西方动漫的美学风格,使国产动漫呈现出新的民族美学风格,赋予国产动漫美学民族性、时代性的美学特征,使国产动漫逐渐呈示出自己特有的美学风格特征。

The growth of Chinese animation,on the one hand inherits classical aesthetics in China which highlights Taoism culture,on the other hand,it integrates artistic forms of Western animations creatively.At the moment,Chinese animation aesthetics is becoming more and more mature.It is different from the aesthetic features of the traditional 'Chinese School'.It is also different from the aesthetic form of imitating Japanese and American animations.The growth of aesthetics in Chinese animations,its connotation is more rich and profound,not only in terms of simple inheritance and imitation,but in the innovative integration between local culture and aesthetic styles of the western countries,thus showing a new national aesthetic style,giving nationalism and contemporaneity to the domestic animation,the domestic animation gradually shows its own unique aesthetic style.This article takes the Chinese animated cartoon Return of the Pilgrimage to the West as an example to explore the aesthetic features of the local and domestic animation.