从新世纪女性影视作品看中国女性主体意识的觉醒与建构——以《我的前半生》和《七月与安生》为例

On the Wakening Process and Construction of Subjectivity of Chinese Women from the 21^(st) Century Film and Television Works——Based on The First Half of my Life and Soulmate

运用西方女性主义文论语境下"他者"思想和拉康的镜像理论,以时下关注度颇高的两部女性影视作品——《我的前半生》和《七月与安生》为例,深入解读了女主人公的命运,明确阐释了女性主体意识的内涵和"他者"理论,探讨了新世纪中国女性主体意识的觉醒及建构进程,并提出了理想的女性自我构建理论。

Based on the two highly concerned film and television works——The First Half of my Life and Soulmate,by applying the understandings of 'Other'under the context of western feminist literary theory and Lacan's Mirror theory,this paper probes into the fate of the classic female characters. With these studies,the connotation of women'subjectivity and the theory of'the Other'are clearly expounded. Through the explorations of the wakening process and construction of subjectivity of Chinese women in the 21 stcentury,it proposes the theoretical approach to women's ideal self-construction.