民间叙事的新路径及其美学立场——以《独药师》、《望春风》为例

The New Path of Folk Narration and Its Aesthetic Position——A Case Study of Exclusive Pharmacists and Longing for Spring Breeze

本文以张炜《独药师》和格非《望春风》为例,分别阐述民间叙事面向中国革命和现代化书写时所具备的双重面貌:一方面包含着以自我认知为核心的个体与历史的冲突,及个体对精神困境的尝试性解决,一方面又包含着作者试图置身于历史之外再现历史的另一种表达。而无论以何种方式进行书写,新世纪小说对民间叙事的把控力,由对再现历史的强调呈现出对个体心理、文本结构及语言的抒情化等文学性的重视,呈现出新的美学向度。

Taking as examples Zhang Wei＇s Exclusive Pharmacists and Ge Fei＇s Longing for Spring Breeze, this paper explainsthe civil narrative for the Chinese revolution and modern writing with the dual aspects respectively： on the one hand, it contains self-awareness as the core of the individual and the history of the conflict and a trial solution to an individuallyspiritual predicament; on the other hand, it also contains the author＇s attempt to reveal another expression of history beyond history. And no mater how you write, you will find that the new century novels＇ controlon the folk narrative andemphasis on the reproduction of the presentation of the individual psychology, text structure and language lyricism andthe importance to other literariness are taking on a new aesthetic dimension.