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姑孰画派黄钺研究

The Research of Huang Yue in GuShu Painting School
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摘要 姑孰画派是明末清初皖南地区的一个地方性画派,其成立主要由于明末清初安徽代表画家萧云从的艺术成就及影响,画派中另一个重要人物就是整个画派的理论旗手黄钺。在整个清代艺术绘画理论繁荣的大环境里,黄钺本身的艺术修养以及理论基础,加之自己山水画方面的感性创作体验,不仅为姑孰画派的研究和发展起了巨大推动作用,同时也为清代艺术理论体系的完成做出巨大贡献。 GuShu Painting School was a local school in the southern area of Anhui Province in the late Ming and early Qing dynasties. Its establishment was mainly due to the artistic achievements and influence of XiaoYuncong, a representative painter of Anhui in the late Ming and early Qing Dynasties. Another important figure in the painting school was the theoretical standard bearer of the painting school, the Yellow tomahawk. This paper breaks the previous research at XiaoYuncong school regardless of what the situation, to Huang Yue's life and art achievement as the breakthrough point, to re-examine regardless of what school to school, regardless of what a reduction in the actual situation at the time.
作者 徐青
机构地区 合肥师范学院
出处 《赤峰学院学报(哲学社会科学版)》 2017年第11期139-141,共3页 Journal of Chifeng University:Philosophy and Social Science Chinese Edition
基金 安徽省高校人文社会科学研究重点项目"安徽现代中国画创作理念的传承与发展研究"(SK2016A0752)
关键词 姑孰画派 黄钺 萧云从 艺术 GuShu Painting School Huang Yue XiaoYuncong Art
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