论王夫之以“现量”论诗的弊端

On Defects of Wang Fuzhi's Theory of Discussion on Poetry with Partyaksa

以"现量"论诗是王夫之极具创造力的诗歌批评方式,学者研究历来集中在探讨"现量"一词的诗学内涵,而忽视了这一佛教术语转接到诗歌理论中的种种不适。探讨船山以"现量"论诗与传统诗学理论的矛盾之处,分别从现量之"现在义""现成义""显现真实义"着手,分析其不足。"现在义"过于强调审美主体的身观限制而忽视了想象的作用;"现成义"将审美感知与审美传达混为一谈,忽视了诗歌创作中"比量""推敲"的作用;"显现真实义"将审美客体的真实置于审美主体之上,排斥夸张、虚构、想象等手法,不符合创作实际。

The theory of discussion on poetry with ＂partyaksa＂ is Wang Fuzhi＇s creative poetry criticism, the scholars have al- ways focused on discussion the poetic connotation of the term ＂partyaksa＂ instead of all kinds of discomfort of this Buddhist term transfer to the poetry theory. In order to explore the contradictions of discussion on poetry with ＂partyaksa＂ and the tradi- tional poetic theory, we discussed from the angle of the meaning of ＂now＂, the meaning of ＂righteousness＂ and the meaning of ＂show the true meaning＂ respectively to analyze its shortcomings. The meaning of ＂now＂ emphasis too much on the aesthetic of the main body view limit and ignore the functions of imagination; the meaning of ＂righteousness＂ put the aesthetic percep- tion and aesthetic expression together and ignores the functions of ＂proportion＂ and ＂elaborate＂ in the creation of poetry and the meaning of ＂show the true meaning＂ put the truth of the aesthetic object on the aesthetic subject, excluding exaggeration, fic- tion, imagination and other techniques and thus, did not conform to the actual creation