卡洛·斯卡帕与重复:三个案例研究

Carlo Scarpa and Repeat: Study on Three Cases

卡洛·斯卡帕基于节点的自身特征与文化内涵构筑其建筑。在斯卡帕的众多建筑作品中,一些特殊节点的重复是极为引人注目的现象。文章以阿巴特利斯宫壁画《死之凯旋》的陈列、维罗纳古堡博物馆坎格兰德一世骑马像的陈列以及布里昂家族墓园双交圆的重复出现为三个典型案例,从上述节点及其所处建筑空间的文化内涵出发,研究斯卡帕对此类特殊节点进行重复的意义与作用。文章指出,上述节点的重复对片段化建筑空间的整合、建筑流线的整合以及基于主题的建筑整体建构具有重要意义。

Carlo Scarpa＇s architectural works were constructed basing on the characteristic and cultural connotation of joints. In many of Scarpa＇s architectures, the repeat of some special joints are very impressive. This paper take the exhibition of the fresco Trionfo della Morte in Palazzo Abatellis, the statue of Cangrande I in Castelvecchio Museum of Verona and the repeating double circle motif in the Brion Family Cemetery as cases, basing on the cultural connotation of these joints and the architectural space in which they were located, studied the meaning and effect of the repeat of those joints. This paper pointed that, the repeat of the joints is importantly meaningful for the integration of fragmentary architectural spaces and architectural circulations, and theme-based construction of the architectural entirety.