期刊文献+

明清莲花水草纹天花彩画初探

A Preliminary Study on the Lotus Aquatic Plant Tianhua Painting in Ming and Qing Dynasties
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摘要 明清官式建筑彩画是北方传统木构建筑特有的装饰形式,历经千年的衍变已经形成了一套完整的建筑彩画艺术体系,具备系统性和规范性。作者通过对官式彩画典型天花题材——莲花水草纹的分析研究,试图梳理构图、色彩、工艺等彩画要素与该纹饰之间的必然联系。分别从以水制火、宇宙苍穹、佛教教义和道教教义等方面探求其文化内涵。并探索纹样背后的历史价值、艺术价值、文化价值及科学价值,从中发掘明清官式建筑彩画所承载的中华优秀传统文化基因。 Ming and Qing Dynasties official architectural painting is a traditional decorative form of the traditional wooden structure in the north. After thousands of years of evolution has formed a complete architectural art system, with systematic and normative. Through the analysis and research on the typical Tanhua theme of lotus aquatic plant, the author tries to comb the necessary relation between the composition of drawing, color and craft, and the decoration. Respectively, from the water to fire, the universe sky, Buddhist doctrine and Taoist doctrine and other aspects of its to explore cultural connotation. And explore the historical value, artistic value, cultural value and scientific value behind the pattern, and then extract the Chinese traditional culture gene carried by the official painting of the Ming and Qing Dynasties.
出处 《建筑与文化》 2017年第11期195-196,共2页 Architecture & Culture
基金 基金项目:北京建筑大学科技创新服务能力建设--科研水平提高定额--历史建筑装饰传承与创新(2017)
关键词 明清官式建筑 天花彩画 莲花水草纹 Ming and Qing Dynasties Official Architectural Tianhua Painting Lotus Aquatic Plant
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