中国现当代文学的日常生活诗学论略

Poetics of Everyday Life in Modern and Contemporary Chinese Literature

作为现代性的标志和产物,日常生活在西方学界呈现出悖论而多向度的景观。新文学出现了两种基本的对待日常生活的态度:一类意在对付日常的萎缩性力量,一类可谓审美先锋主义。现代中国文学揭示了日常生活的动荡和分裂。现代与传统、新与旧的碰撞重构了变异中的日常生活诗学,城乡冲突就是其中的典型。新写实小说朝向形而下的日常生活现场,日常生活也从阶级斗争和革命运动中凸显出来。拾破烂者的文学形象正是日常生活时代的镜像,有着本雅明意义上垃圾美学的风景和意蕴。女性与日常生活互相映照,对象化自身。长篇小说繁荣的风向标再次验证了日常生活时代的到来。作为一种修辞策略,日常生活表征了文化和价值想象,具有能指的多义性。

As a symbol of modernity,everyday life is quite sophisticated in Western Academy. There are two basic attitudes towards everyday life in new literature: one is the weakening power concerning everyday life,the other can be called as the aesthetic pioneer. Modern Chinese literature displays the trouble and fission of everyday life. The collision of modernity and tradition,the old and the new reestablishes the everyday poetics,the urban and rural collision is typical. New novel of reality pays more attention to everyday life which flees from class and revolution. The image of rag-picker is the time mirror of everyday life,dotted with rubbish aesthetics,the female is reflected each other with everyday life. The prosperity of novel inspects again the coming of the time of everyday life. As a rhetoric strategy,everyday life shows the imagination of culture and value with various meanings.