摘要
2013年"红河哈尼梯田文化景观"被列入世界遗产名录,标志着有关"哈尼梯田"的遗产化和知识生产迎来高潮。在30年的遗产化进程中,哈尼族口承神话的传承方式发生了剧烈变迁,歌手演唱的起源叙事被重述为族群的遗产。在哈尼梯田遗产地核心区,遗产旅游的发展使得神话成为可资挪用的资源。在遗产化运动中,传统的"哈巴"演唱渐渐走出仪式语境,转而在神话主义的逻辑下改变其叙事场域,成为文化政治的显在符号。
In 2013,'Honghe Hani terraced cultural landscape'was listed in the World Heritage List,which marks the climax of the heritagisation and knowledge production of'Hani terraced fields'.In the process of 30 years’ heritagisation,the transmission way of Hani oral myths changed greatly,and the singers’original narratives are renarrated to be the legacy of ethnic groups.In the core area of the Hani terraces,the development of heritage tourism has made myths an appropriable resource.In the movement of heritagisation,traditional'Haba'singing is gradually out of the ritual context,and changes its narrative field under the logic of mythologism,and becomes a manifestation of cultural politics.
出处
《民俗研究》
CSSCI
北大核心
2017年第6期61-68,共8页
Folklore Studies