摘要
从四杰及燕、许二公的论述和作品可知,唐代新骈文自有其审美追求。李白骈文创作,实际上是自觉地践行四杰等人的文学革新主张和审美观念。其书体骈文分为求人荐引者、求人开脱罪名者、借以自明其志者三类。各因其功用、作者所处地位、话语内容而产生相应的美感特质和文学效应。赠序有以诗序充当者,有以独立文体为赠序者。其美感特质主要出自人物形象的描绘和情感的抒发。人物形象,一为送别对象,一为作者自己;其抒情性,缘于作者以诗为文,不掩情性。
This paper explores the aesthetic property and characteristics of Li Bai's parallel prose,to prompt the scholars to think about what the beauty of parallel prose is.From discussions and works by the "four literary celebrities" of the early Tang Dynasty and Yan and Xu,we know that the new parallel prose in the Tang Dynasty had its own unique aesthetic pursuit.In fact,when creating parallel prose,Li Bai had unconsciously lived up the ideas in literary reform and aesthetic concepts by the "four celebrities".The parallel prose in chirography,which has different aesthetic characteristics and literary effects,according to its functions,the author's position and discourse content,include 3 types:to ask someone for recommendation,to ask for exonerating somebody,to show one's high ideals.The gift-preface in parallel prose can be created as a poem or other independent literary style.Its aesthetic characteristics depend on the depiction of figures(people to be bidden farewell to or the author)and the emotion expressed.
出处
《广西师范大学学报(哲学社会科学版)》
北大核心
2017年第5期58-67,共10页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
唐代新骈文
李白
美感特质
书体骈文
送序骈文
new parallel prose in the Tang Dynasty
parallel prose of Li Bai
aesthetic characteristics
parallel prose in chirography
gift-preface in parallel prose