洞口瑶族“棕包脑”舞蹈形态探析——基于舞蹈生态学视角

An Analysis of the Dance Form of Yao's "Zongbaonao" in Dongkou——Based on the Perspective of Dance Ecology

"棕包脑"舞蹈源自"梅山文化"圈的民间巫傩祭祀活动,属瑶族祭祀性舞蹈。通过特定的舞蹈形态,叙述祖先迁徙、劳作、祭祀、狩猎、战斗、孝母的情节,内涵极为丰富。文中以舞蹈生态学为研究视角,对洞口瑶族"棕包脑"舞蹈进行论述,从历史渊源的考察、形态特征的提取、舞蹈语言的审美表意功能三方面进行阐释,发现这一"千年一舞"——"棕包脑"舞蹈的传承,俨然并不在于舞蹈动作的形式美感,而是特定舞蹈语言符号系统所蕴含的意义、价值、功能以及情感依托的体现。

＂Zongbaonao＂ dance, originating from the folk ritual activities performed by witchcraft in ＂Meishan Culture＂, belongs to Yao’s sacrificial dance. Through specific dance form, it conveys the fruitful connotation by describing the ancestral migration, labor, sacrifice, hunting, fighting and filial piety. Based on the research of dance ecology, this thesis illustrates the ＂Zongbaonao＂ dance of the Yao from historical origin, morphological feature extraction and aesthetic expressive function of dance language, finding that the inheritance of this ＂one thousand years’ dance＂ does not depend on its formal beauty, but the significance, the value, the function and the emotional support of the particular dance language symbol system.