摘要
中国的国画艺术讲究意境,在东方古典艺术中一直占据着很重要的地位。近些年来,随着艺术融合的加剧,国画艺术原理在现代设计中也逐渐得到了运用,而且其发展势头异常迅猛。虽是二维的艺术形式,但是在三维立体空间中也有着许多的应用之处,凸显着独特的魅力。就好比国画中的"留白"原理,原是营造中国画画面空间感的一种手法,而这种形式正好和现代设计中的"少即是多"的思想相契合。从而形成了三维室内空间的简约形式风格,给人以直观的空间美感,给室内带来了崭新的感觉,达到了"无形有意、无语有声"的效果,开辟了现代室内装修设计的新局面。
China ‘s traditional Chinese painting art of art, in the Oriental classical art has been occupying a very important position. In recent years, with the intensification of artistic fusion, the principle of Chinese painting in modern design has gradually been applied, and its development momentum is extremely rapid. Although the two-dimensional art form, but in the threedimensional space also has a lot of applications, highlighting the unique charm. It is like the traditional Chinese painting "blank" principle, was to create a sense of Chinese painting space sense of a way, and this form is just the modern design and "less is more" ideas fit. Thus forming a three-dimensional interior space of the simple form of style, giving an intuitive sense of space, to the interior has brought a new feeling, to the "intangible, speechless" effect, opened up a new situation in modern interior decoration design.
出处
《中国建材科技》
2017年第5期151-152,共2页
China Building Materials Science & Technology
关键词
留白原理
室内设计
空间感
blanking principle
interior design
space sense