澄怀静观关照下的“空的空间”——林兆华戏剧美学研究

On the "Empty Space" from the Concept of Clear Mind and Undisturbed Viewing——A Study of the Theater Aesthetics of Lin Zhaohua

戏剧导演林兆华是新时期以来中国戏剧人不断探索创新的典型代表。他的作品数量可观,个性强烈,在媒体舆论和一般观众中间也享有较广泛的知名度。通过对林兆华及其戏剧的研究,以之为切入点,可以解析中国当代戏剧发展现状,廓清中国当代戏剧发展历程。本课题从中国传统美学思想、中国戏曲戏剧传统两方面入手,探讨林兆华戏剧导演风格形成与二者之间的影响关系,系统地归纳和梳理林兆华戏剧的导演美学特征并对其进行阐释。

Drama director Lin Zhaohua is a typical representative of Chinese dramatists who have been exploring and innovating since the new period. Taking a considerable number, his works with prominent personality enjoy a wide range of popularity among the media and the general audience. Through the study of Lin Zhaohua and his plays, the current situation and the developing course of Chinese contemporary theater may be analyzed. This paper starts from the traditional Chinese aesthetic thought and opera tradition, discusses their relationship with the formation of Lin Zhaohua’s directing style, and systematically summarizes and explains the director’s aesthetic characteristics.