《大唐玄奘》的三重意义

The Triple Significance of "Xuan Zang"

由邹静之编剧、霍建起执导、黄晓明等主演的历史类题材影片《大唐玄奘》于2016年4月29日首映。从话本、戏曲到小说,圣僧玄奘形象的精神内核发生了由僧人到俗人的巨大的变化,随着20世纪80年代中后期后现代主义思潮传入中国,经过后现代解构的"西游"类电影,唐僧在电影中的形象表达越来越边缘化,成了言行毫无意义、莫名其妙的"无厘头"。《大唐玄奘》不管是人物形象塑造还是艺术表现手法都别具一格,这对于还原真实的玄奘形象,宣传佛教知识、传播玄奘精神,提升中国在国际上的文化形象、加强中国的文化安全等都具有重要的意义。

The historical film ＂Xuan Zang＂ premiered on April 29, 2016, which is written by Zou Jingzhi, directed by Huo Jianqi, and Huang Xiaoming is one of the main actors in the movie. From the colloquial stories, the dramas to the novels, the spiritual core of the image of the monk Xuanzang has changed from the monk to the laity. In the late 1980 s, postmodernism was introduced to China. After the deconstruction of the ＂ Journey to the West ＂ films, Tang Monk ’s image in the film is increasingly marginalized. He became a meaningless, inexplicable ＂nonsense＂. ＂Xuanzang＂ is unique in both the image-shaping and artistic expression. This is of great significance to restore the true image of Xuanzang, promote the Buddhist knowledge, disseminate the spirit of Xuanzang, enhance the cultural image of China in the world, and strengthen the cultural security of China.