摘要
艺术作品的特征是建立世界和制造大地,世界与大地的争执让真理自行设置入作品;文化产业文本建立了世界却没有制造大地,文本的世界是技术的世界,带来的不是切近而是疏远。艺术作品是非对象性的,因而建立的世界是非对象性的;文化产业文本是对象性的,因而建立的世界是对象性的。文本的对象性特征源自现代形而上学的主客二元对立,直接后果是加剧了现代技术的集置。对这一问题的克服在于建立起由"天地神人"平等相处和谐共存的四重整体的世界,让现代人获得一片可以诗意栖居的大地!
The basic feature of the works of art is the establishment of the world and the creation of the earth. The world and the earth's dispute let the truth set itself into the work; the cultural industries text established the world, but did not make the earth; the text of the world is actually the world of technology, instead of bringing it to close but alienated. The works of art are non-objective and the world in which they are established is also non-objective ; the text of cultural industries is objective and the world in which it is established is also objective. The object of the text is derived from the modern metaphysics of the subject and object binary oppositionand the problem is to exacerbate the set of modern technology. To overcome this problem, it needs to establisha harmonious coexistence consisted of heaven, earth, God and people in the whole world, so that modern people can get the earth that can stand, hold and poetically dwelling on.
出处
《重庆社会科学》
CSSCI
2017年第11期112-117,共6页
Chongqing Social Sciences
关键词
文化产业
文本
世界
大地
哲学研究
cultural industries, text, the World, the Earth, philosophical research