摘要
在文学与艺术的研究中,文本大多是静态发展的。但在生态视野中,文本是充满生命力的,它的生存与发展是有着其特定的生态发展形态,体现出生态性与艺术性的特点。以侗族口传文学《珠郎娘美》为例,它文本的生成与发展呈现出原生态的民间口传文本、聚生态的侗戏文本、共生态的电影文本与衍生态新戏剧文本的进程,为民族艺术和生态艺术的经典之作。
In the study of literature and art, the text is mostly static development. But in the ecological view, the text is full of vitality, and its existence and development have its specific ecological develop- ment form, reflected the characteristics of ecology and artistry . Take the verbal literature of Dong mi- nority, "zhuanglangniangmei" as an example, its subsistence and development of text presents the orig- inal ecological folk oral text, gathered ecological in Dong opera text , co - ecological film text and de- rived ecological process of the new drama text, which is the classic work of national art and ecological art.
出处
《凯里学院学报》
2017年第5期11-14,共4页
Journal of Kaili University
基金
凯里学院重点课题"黔东南苗侗口传文学现代性传播研究"阶段性成果(项目编号:S1302)
关键词
侗族
口传文学
珠郎娘美
文本
生态发展
Dong minority
verbal literature
Zhulangniangmei
text
ecological development