摘要
"镜"是唐代文学创作中的重要意象,"喜镜"、"览镜"、"妆镜"、"石镜"、"破镜"、"衡镜"……这些意象名词的构造无不显示出唐人对"镜"的青睐与期寄。伤怀、相思、叹老、托喻、蓄理,唐人在选取这一意象进行创作时,有着独具匠心的深意。本文从镜之溯源、器物之镜到文学意象的衍化这两个方面阐述"镜"意象,力求在此过程中将唐代"镜"意象的形成发展予以清晰地勾勒。
Mirror is an image frequenting Tang literature, to name a few, taking a liking for a mirror, looking into a mirror, doing make-up against a mirror, mirror made of stone, shattering a mirror, using a mirror to tell the good from the bad, and so on. So many mirror-based expressions constructed during the Tang Dynasty evidenced literary men's partiality for this image, which was in fact a metaphor for such sentiments as sorrow, lovesickness, agony of ageing, and so on. This paper traces mirror's evolution from a daily appliance to a literary image, and analyzes its important role in the literary development in Tang Dynasty.
出处
《广州广播电视大学学报》
2017年第5期61-65,共5页
Journal of Guangzhou Open University
基金
2017年北方民族大学研究生创新项目"论唐人‘镜’之风"(项目编号:YCX1723)
关键词
镜
溯源
文学意象
mirror
evolution
literary image
