摘要
《天香》作为王安忆最新的一部长篇小说,自问世以来就备受关注,通过现代的叙事结构与古典的叙事风格,王安忆再一次实现了纪实与虚构的完美融合。而在这部作品中,申家四代女性形象更是成为了讨论和研究的热点。本文试从《天香》中建构的不同叙事空间入手,分析作者在不同维度上对于女性的书写和关照。
Ever since it was born, Wang Anyi's latest novel Heavenly Fragrance has claimed much attention. As she used to do, the writer again perfectly integrates documentary with fiction, modern narrative structure with classical narrative style. Most discussions concentrate on the female images of the four generations in Shen's family. This paper endeavors to analyze the different narrative space constructed in the novel, and in a variety of dimensions, elaborate the writer's depiction and concern about women.
出处
《广州广播电视大学学报》
2017年第5期71-73,90,共4页
Journal of Guangzhou Open University
关键词
空间叙事
空间类型
女性书写
space narration
space typology
writing of women
