魏了翁《周易要义》版刻流传与节录体例考

Textual Research on the Transmission and Excerpt Layout of Wei Liaoweng's Zhou yi yaoyi

魏了翁谪居靖州期间,对《九经》历代注释加以节录整理而成《九经要义》,以备资教,《周易要义》即《易》类注释文献节录,其成稿于1230年,首刊于1252年,1300年有重刊。印量较小,流传较稀,明清之际已无完整宋本。清《四库全书》本《周易要义》据范懋柱天一阁本抄入,光绪江苏书局本《周易要义》据钱塘丁丙八千卷楼本刊印,两者的底本皆抄本,与宋本出入较大。考今存宋残本,《周易要义》的节录范围主要包括《周易注》《周易略例(邢璹注)》《周易正义》《周易音义》,结合历代监本刊刻体例演变,从《周易要义》卷次结构、《略例》内容范围、《音义》节录体例、疏文格式与出字异文比较,推测其以经注附释文本《周易注》为底本并散插入单疏本《周易正义》完成。因此,宋版残缺部分的复原,重点在经注附释文本和单疏本上,同时应尊重魏氏的节录体例。

The Jiu jing yaoyi（Essential Meanings of the Nine Classics）resulted from Wei Liaoweng＇s（1178-1237）excerpts from and clarification of former scholars＇ exegesis of the nine classics,which he used for his teaching when he was staying in exile in Jingzhou.Excerpted from the exegetical literature of the Changes,the draft of the Zhou yi yaoyi（Essential Meanings of the Zhou Changes）was completed in 1230.It was not printed until 1252 and was reprinted in 1300.On account of its low print runs and weak circulation,there was not any intact version of the original Song（960-1279）edition of the book till the Ming（1368-1644）and early Qing（1644-1912）dynasties.The Si ku quan shu（Complete Collection of the Four Treasuries）compiled by early Qing scholars adopted Fan Maozhu＇s（1721-1780）tian yi ge version of the book with certain collations,and during the reign of Emperor Guangxu（r.1875-1908）Jiangsu shuju Press reprinted the Zhou yi yaoyi on the basis of Ding Bing＇s（1832-1899）version.Both of them came from hand copies and were sharply different from the original Song edition of the book.By its extant fragmentary Song version,it can be seen that the excerpts were mainly from Wang Bi＇s（226-249）Zhou yi zhu（Annotations to the Zhou Changes）and Zhou yi lüe li（General Remarks on the Zhou Changes）annotated by the Tang scholar Xing Shu,Kong Yingda＇s（574-648）Zhou yi zheng yi（Correct Meaning of the Zhou Chan-ges）,and Lu Deming＇s（c.550-630）Zhou yi yin yi（Pronunciation and Meaning in the Zhou Changes）.Taking the evolution of the printing layouts,the structure of the Zhou yi yaoyi,the contents of the Zhou yi lüe li,the excerpt style from the Zhou yi yin yi,the style of sub-commentaries,and comparison of the variant characters into consideration,we surmise that the completion of the Zhou yi yao yi was based on Wang Bi＇s Zhou yi zhuattached with Lu Deming＇s exegetical texts as the master copy,which was further accompanied with Kong Yingda＇s sub-commentaries.Therefore,the restoration of the extant fragmentary Song version of the book is mainly relied on the Zhou yi zhu,Zhou yi yin yi,Zhou yi zheng yi,as well as Wei＇s own layout shown in his excerpts.