片断的情境建构——解码布莱恩墓园的空间美学

Situated Tectonics of Fragments Decoding the Spatial Aesthetics of Brion Cemetery

通过对卡洛·斯卡帕最后一件作品——布莱恩墓园的解析,尝试勾勒出斯卡帕设计的空间美学及其产生的作用。布莱恩墓园稍瞬即逝的空间经验和永恒的诗意处于片段的情境里,它是一个以局部展示出整体的精神装置。空间的审美从超验空间和物质空间被情景空间美学所整合,动觉的、感知的和心理的空间维度将重新参与到建筑意义的建构过程中。

Aiming at decoding the spatial tectonics of Brion Cemeter y, the last work of Carlo Scarpa, this paper tries to unveil the richness and potential of situated aesthetics of space in this case. The ephemeral spatial experience and eternal poetic phrases are situated in the discrete organization of this garden as a mental device embodying the whole in the part. Through conciliating transcendental, physical and experiential tectonics, the meaning of architecture is reconstructed on kinesthetic, sensual and mental dimensions.