武舞相融中“剑”的舞台艺术探寻

Exploration of “Sword” Stage Art in the Integration of Martial Art and Dance

运用文献资料法、影像资料法、对比法,以武术和舞蹈的融合作为切入点,对以"剑"为道具和创作元素的舞蹈作品进行分析,以此探索从"武之剑"到"剑之舞"的舞台艺术价值。认为:在深厚的历史背景下和现代多元的舞台呈现语境中,剑的舞化过程就是对舞剑过程的审美再造过程。探讨"剑"在舞蹈表达中叙事性的功能转变,"剑"在舞台呈现中的表意性艺术传达,"剑"在艺术表现中的传统意象,为武术与舞蹈的嫁接和融合寻找更多的途径和可能性。

By using the methods of literature review, image data and comparison, taking the combination of martial arts and dance as a starting point, the dance works which take ＂sword＂ as props and creative elements are analyzed, so as to explore the stage art value from the ＂Wu sword＂ to ＂sword dance＂. It concludes that under the profound historical background and modern multi stage presentation context, dance process is to process the sword aesthetic reconstruction. This paper probes into the narrative function transformation of ＂sword＂ in the dance expression, the artistic expression of ＂sword＂ in the stage presentation, and the traditional image of ＂sword＂ in artistic expression, so as to find out more ways and possibilities for the grafting and integration of martial art and dance.