再谈鲁迅创作晚期文本中愈加成熟的女性观——从《故事新编》女性描写追溯“阿金”的踪迹

On the More Mature View of Women in the Late Works of Lu Xun——Tracing A Jin's Trail from the Female Description in New Stories

在杂文《阿金》中,主人公阿金脱胎于鲁迅的现实生活,在她成为文学形象后,性格鲜明无二,有着与先生笔下其他女性截然不同的气质。但她在鲁迅笔下并非孤立存在,我们可以从鲁迅其他作品里发现阿金的踪迹,在《故事新编》集里这踪迹尤其明显。由此可知,鲁迅是在一个较长的女性形象创作过程中,才酝酿成型"阿金"这一形象的。同时通过创作背后的思考,他不断反思并修正自己自"五·四运动"以来形成的女性观。通过对《故事新编》中的女性形象进行分析,结合作者在不同女性人物创作时期的思想变化轨迹,详细追溯"阿金"人物的成型过程,进而佐证笔者在《鲁迅创作晚期文本中愈加成熟的女性观——独特的阿金》一文中表述的鲁迅创作晚期逐渐成熟的女性观点。

In the essay A Jin, the hero A Jin is born out of Lu Xun＇s real life. After she becomes a literary image, she has a distinct character and has a different temperament with other women in Lu Xun＇s writing. But she is not isolated in Lu Xun＇s works, we can find the trace of ＂ A Jin＂ from other works, especially in New Stories. Therefore, in the process of creation of female image, Lu Xun has formed the image of ＂ A Jin＂. At the same time, through the thinking behind the creation, he is constantly reflecting and correcting his views on women. This paper will analyze the image of women in the New Stories, combining with the thought trajectory of the author at different female character creation period, and tracing the forming process of ＂ A Jin＂ in detail, then confirm the author＇opinion in The More Mature View of Women in Lu Xun＇s Late Works--The Unique A Jin.