摘要
清末民初,伴随着京剧的改良运动,海派京剧逐渐形成了自己的特点,并代表了京剧的另一种风格。在影响海派京剧特点形成的诸多因素中,新剧曾起过积极的作用。新剧与海派京剧,二者均在相同的时代背景、地域环境中发展,面向共同的观众。新剧对海派京剧特色形成的影响主要体现在剧目创作、表演方式、舞台美术及审美现代性四个方面。海派京剧受新剧影响的同时,反过来也对新剧产生影响,加速了其民族化的进程,使得新剧深深地扎根于中国。
In the Movement of Peking Opera Reform in the late Qing Dynasty and early years of the Republic of China (1912-1949), Peking Opera of Shanghai School has gradually developed its uuique characteristics and has since represented a different style of Peking Opera. Among all the factors that have an effect on this process, New Drama, with the same historical context, regional circumstance and target audience as that of Peking Opera of Shanghai School, has played a positive role, mainly in terms of play writing, performance, stage design and modemity of its aesthetics. Peking Opera of Shanghai School, in return, has also reshaped New Drama, accelerating its nationalization and deepening its root in the Chinese society.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2017年第6期37-46,共10页
Drama:The Journal of the Central Academy of Drama
基金
上海市艺术科学规划项目"民国年间上海戏剧报刊资料研究"(项目编号:2016B03)的阶段性成果
关键词
新剧
海派京剧特点
上海民国年间报刊
New Drama, characteristics of Peking Opera of Shanghai School, journals of Shanghai in the Republic of China