少数民族审美与当代艺术审美的建构--以云南彝族撒尼支系大糯黑村为例

Construction of Ethnic Minorities Aesthetics and Contemporary Art Aesthetics: A Case Study of Danuohei Village Inhabited by the Sani branch of Yi People

云南彝族撒尼支系聚居的大糯黑村因画家带动成为了圭山采风村,传统民族审美与现代审美交相并建构了新的村落审美知识,表现出审美场域由大糯黑村转向圭山采风村,审美主体由村民变成当代画家,艺术品由村内创作转成画廊展示的变化。因审美特性符合村民与画家的各自之需,大糯黑村的民族与当代艺术审美形成了共存互建的状态。总观当前少数民族村落审美的发展现状,大糯黑村是值得深入探讨的一例个案。

Danuohei village,inhabited by the Sani people,a subline of the Yi nationality,has become a place for art collection in Guishan because of the painters,who have brought contemporary artistic aesthetics into the village which is different from the national counterpart..New village aesthetics has been produced by the fusion of the ethnic aesthetics and the contemporary one,with the changes occurred in the following aspects:the place showing the aesthetics has shifted from the Danuohei village to an art collection village in Guishan,the subject of aesthetics has shifted from the villagers to contemporary painters and the art works from village production to gallery display.There is coexistence and interplay between the ethnic and contemporary aesthetics in Danuohei village as the properties of it can meet the needs of both villagers and painters.Observing the status quo of aesthetic development in the ethnic villages,the case of Danuohei village is worth reflecting on.