摘要
《文心雕龙》的语言文字观为:文字乃语言之体貌、文章之宅宇。从该书"天象"、"易象"等"象"概念入手,联系甲骨文、金文以来的古文字,汉字的"字象"与诗歌的"诗象"融合生发,辉映成趣,形成汉民族独有的文化特色:诗歌的意境和意象借助于诗歌的语言表达出来,即成为所谓的诗象;诗象来自于事物之象并高于事物之象;字象是汉字取象于事物而成的,同时它也与诗象互相呼应和补充。
The language view point of Dragon Carving And The Literary Mind is that words are physical signs of language, dwelling place of articles. The book starts with "celestial phenomena" ,"im- age" linking with oracles and bronze inscriptions. Forms of Chinese characters and forms of poetry inte- grated harmoniously, casting beautiful reflections and forming the unique cultural features of the Han na- tionality. Artistic conceptions and imagery of poetry are expressed in the language of poetry. That is called forms of poetry. Forms of poetry originate from and overtop forms of object. Chinese words forms took the forms from objects' forms. Meanwhile they also echo and complement forms of poetry.
出处
《内蒙古师范大学学报(哲学社会科学版)》
2017年第5期108-115,共8页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
基金
2012年度国家社科基金重大项目(第三批)"王世贞全集整理与研究(12&ZD159)"
上海交通大学文理交叉项目"鲁汶大学馆藏汉语基督教典籍整理与研究(训诂学)(15JCY02)"
上海交通大学2016人文社科学术领域文化专项项目"域外汉籍(<世说笺本>等)研究"的研究成果之一
关键词
《文心雕龙》
象
字象
诗象
比象
Dragon Carving And The Literary Mind
imagery
forms of words
forms of poetry
forms of comparison