性别意识形态在电视剧《人民的名义》中的多元变奏

The Variation of the Gender Ideology in the TV Drama On the Name of the People

电视剧《人民的名义》塑造了一系列鲜明的女性形象,既有花木兰式的去性别化的女强人,也有数量众多的囿于家庭的妻子群像;既有潘多拉式的美艳有害的情人角色,也有浅薄无知的长不大的女孩形象。性别意识形态不仅关注文本讲述了怎样的故事,更关注故事背后的讲述行为以及创作者秉持的性别价值观。《人民的名义》这部作品的女性形象设定背后透露出的是创作者秉持的男性为主体、女性为从属的充满男权色彩的性别立场,女性处处有罪的状态以及进退维谷的境地都是创作者刻意为之,文本对臣服于男性的所谓顺从的女性进行规训与召唤,这种潜隐在叙事背后的性别成见是值得警惕和反思的。

The TV drama On the Name of the People shapes multiple kinds of female characters. The first kind is mighty female named as Hua Mulan who is well known as one famous heroine by disguising her gender. The second kind includes several wives full of hatred. The third kind comprises lovers who can be named as Pandora. The fourth kind comprises several shallow girls. Gender ideology is paid much more attention to the gender conception of the text, rather than the story itself. The TV drama On the Name of the People puts all these female characters in a quandary. They were forced to face with the dilemma of whether or not to be a sec-ondary gender. The text is male-dominated since it inteipolates female into compliant gender. This kind of gender prejudice should be criticized.