农民画创作发展路径探析

An Approach into Farmer Painting Creation Path

农民画主要产生于20世纪50年代的户县,并传播到全国各个乡镇,从产生之初到"文化大革命"结束,它承担着党的文艺方针实施和文艺政策在农村的艺术实践功能。农民画的内容涵盖了当时农民生活的各个方面,反映了国家意志、人民意志和集体意志,具有很强的政治属性。改革开放后全国农民画的创作趋向于个性化、地域化、民俗化、商业化,不再仅仅体现国家意志,而是回归了它的艺术属性。农民画的作者身份也从农民、牧民、渔民转化为多元身份。

Farmer paintings are mainly produced in Hu county in Shaanxi province during the 1950s ofthe new China and spread to all the villages and towns across the country. It takes up the Party’ s literary andartistic principles and policies, it also plays a role of art practice in the countryside since the beginning to theend of the cultural revolution. Its content covers all aspects of their life, reflecting national consciousness,collective will and the people’ s will. It has a strong political attribute. Farmer painters have advantageous po-litical and artistic voice rights. After the reform and opening up, the creation of the national farmer paintingstend to be personalized, localized, folk customs and commercial. It not only reflects the national will, but alsoreverts to its artistic properties. The author identity of farmer paintings has been changed from the farmers,herdsmen, fishermen into multiple identities.