仪式音乐的太极图式——音乐人类学视角下的社会性别张力

Taiji Diagram of Ritual Music——The Gender Tension from the Perspective of Music Anthropology

音乐是人类社会的本性之一,是人类原始社会和文明社会皆有的自我变现形式。音乐人类学探讨音乐的思维观念、社会组织、物质文化等方面,而具有象征意义的仪式音乐是一种社会事实,一种习得的音乐模式,也是一种声音景观。文章主要探讨仪式音乐从社会性别二元区分到多元交融汇流的社会进路,从音乐社会与社会性别、仪式音乐中的阴阳话语、仪式音乐中的女性主义、音乐性别的社会动力机制四个方面进行阐述,梳理仪式音乐的话语问题和解构办法,进而思考社会性别张力扩展出的多元音乐教育的意义。

Music is the nature of human society, it＇s self-realization existing in primitive society and civilized society. Music anthropology focuses on ideologies, social organization, material culture and so on.Ritual music with symbolism is a social fact, a learned music mode and a sound landscape. This article intends to discuss the social approach into ritual music from gender binary opposition to cultural diversity, and analyzes music society and gender, gender difference of ritual music, feminist of ritual music, social motive mechanism of music gender, then to review the discourse power and deconstruction methods, aiming at thinking about the meaning of multicultural music education based on gender tension.