新型城镇化进程中西藏民间艺术的现状与发展

A Research on the Present Situation and Development of Tibetan Folk Art in the Process of New Urbanization

新型城镇化不同于以往的城镇化,它更加关注人本身和人的发展。民间艺术等民俗文化作为一个民族的根性文化,理应在新型城镇化进程中发挥其反哺机能,因为民间艺术是广大民众智慧的结晶,其悠久的历史和独特的地域民族风格中饱含了强烈的民族情感,在族群认同建构和公民身份塑造的过程中具有重要作用。在新型城镇化进程中,西藏民间艺术的传承和发展存在以下四组关系:传承与创新;机器与手工;传统与现代;生意与信仰。上述四组矛盾关系是可以化解的。城镇化带给民间艺术等民俗文化的负面影响使不少学者感到担忧,其实在城镇化进程中,民俗文化的淡化、弱化甚至消失并不是事实的全部,它也能从城镇化建设中找到发展空间。

The new urbanization is different from the previous one and pays more attention to the human and its development. Folk art belonging to folk culture is root culture of a nation, which should play its function in the process of nurturing the new city. The role of folk art is more prominent in the new urbanization process. Here are three reasons. It contains wisdom of the masses; there is a strong national emotion embodied in its long history and unique regional ethnic style; it plays an important role in the process of ethnic identity and citizenship shaping. During the new urbanization, there are four relationships in the inheritance and development of Tibetan folk art： inheritance and innovation; machine and hand; traditional and modern; business and belief. The contradiction among the four groups can be resolved. The negative impact of urbanization to folk art and folk culture make many scholars worried. In fact, in the process of urbanization, weakening or even vanishing of folk culture is not the case; it can also find the development space in urban construction.