摘要
以"主旋律"指称一种艺术范式始于20世纪80年代。纵观30年来的艺术创作,优秀的主旋律作品不乏其数,但也有概念化、模式化的作品充斥其间。优秀的主旋律作品大多具有多重内涵——主导文化的要求、精英文化的水准、百姓的文化需求、民族文化的基因、时代语言的融入,新的时代需要更多的艺术家创作更多优秀的主旋律作品来歌咏时代精神,鼓舞人心。
The“theme”named as one of art paradigms originated from the 1980s. Some excellent themeworks already existed through three decades of artistic creation. However, they were full of conceptual andmodel works. Throughout history the excellent theme works had multiple connotations which included therequirement of dominant culture, the level of elite culture, the cultural needs of the people, and the integrationof national cultural gene and the language of an era. However,“only music cannot be false” . It is the primaryreason whether the theme can take deeply into the human mind and pass on from generation to generation.
出处
《民族艺林》
2017年第3期75-78,共4页
Journal of Ethnic Art
关键词
主旋律
艺术
歌曲
创作
thematic art
inheritance
era
history