美术艺术批评的重建

The Reconstruction of Art Criticism

艺术价值多元化为当代艺术实践带来了丰富的艺术面貌,但艺术疆域的不断扩展带来了传统的美术艺术批评迫切需要重建的问题。在脱离技巧的艺术创新逐渐成为艺术批评关注点的情况下,近年来的当代美术批评出现了以阐释代批评、以颂扬代分析、以虚无代理性的倾向。故在传统积淀深厚的美术领域,当代美术艺术批评应以艺术品质的经典性建构为核心,以艺术技巧、精神内涵和深度解读为维度,重建以艺术本体论为核心的当代美术艺术批评。这不仅因为历史经典为新的美术艺术批评提供了一个稳定的、可靠的参照物,而且渗透在历史经典中观念需要不断被发掘出来,并为当代美术艺术批评所强调的创新提供重要的参照。这有助于解决当代艺术观念由于轻视技巧而陷于无所附着的尴尬,并不断渗透到美术本体中来。

While the diversification of art value has brought rich artistic features to contemporary art practice,the continuous expansion of art territory has brought about an urgent need to rebuild traditional art criticism. When artistic innovation divorced from skill is increasingly becoming the focus of attention in contemporary art criticism,trends have appeared to replace criticism with explication,analysis with praise and reason with nihilism. Therefore,in the field of criticism on painting where there is a deep accumulation of tradition,contemporary art criticism should regard the construction of classical artistic quality as its core task and artistic skills,spiritual import and depth of interpretation for dimensions and reconstruct contemporary art criticism with artistic ontology as core. This is not only because classics provide a stable and reliable reference for newart criticism,but also because the ideas informing the classics must be mined to provide a frame of reference for the innovation emphasized by contemporary art criticism. This helps to solve the weightlessness of contemporary artistic concepts due to their neglect of skill and prevent it from penetrating to the ontology of art.