摘要
《魔王》这个被浪漫主义时期定义为里程碑的艺术作品,经李斯特改编后成为了钢琴独奏曲,它分别描绘了叙述者、父亲、儿子、魔王4个不同的角色,音乐充满了戏剧冲突,鲜明的音乐形象配上自由的曲式结构使之产生了与众不同的艺术魅力。文章针对李斯特改编后的《魔王》,分析了李斯特改编曲的时代背景、曲式结构和自由结构的特点,指出了在日常练习时应该注意的技术问题。
After be recomposed by Liszt, Erlk6nig, the milestone artistic work defined by romanticism, became a piano solo. With abundant dramatic conflicts, the music respectively describes narrator, father, son and Erlkonig. Thereinto, the distinct musical image and the free musical structure endow the music with an unique artistic charm. Based on the Erlkfnig recomposed by Liszt, this paper analyzes the historical background, the musical structure and the free structure' s characteristics and points out the technical matters which need to be focused during daily practice.
出处
《齐鲁师范学院学报》
2017年第6期152-156,共5页
Journal of Qilu Normal University