《抛球乐》传入高丽考

On the Transmission of the Music of Ball Tossing to Korea

古代的抛球游戏主要有二:一是酒席间抛球助兴;二是先由女子抛球,后由男子骑马逐之。宋代队舞《抛球乐》源自第二种抛球游戏。熙宁四年,高丽使者金悌出使宋朝,随行高丽乐工学习到《抛球乐》队舞。《高丽史·乐志》对《抛球乐》队舞有详细记载,涉及《折花令》《折花三台》《水龙吟》《小抛球乐令》《清平令》和《破子》等乐曲。《抛球乐》队舞演出场合主要可分两类:一是在八关会、河清节等节日庆典之中;二是在宴请中国使臣之时。在不同的演出场合,其环节设置、口号致语、唱词都有所调整变化。

There were two sorts of the ancient games of ball-tossing： one happened at the banquet time in order to have more fun,and the other was a ridding man pursuing the ball after it was thrown by a woman. In Song Dynasty,the team-dance of Music of Balltossing came from the second type of the game. In the fourth year of Xi-Ning Period,the Korea emissary named Jin-Ti came to the Song Dynasty,and studied the dance of Music of Ball-tossing. The Korean history book has a detailed record about this music,which included such Ci-Pu as Zhe-Hua-ling,Zhe-Hua-San-Tai,Shui-Long-Yin,Xiao-Pao-Qiu-Yue-Ling,Qing-Ping-Diao and Po-Zi. The Music of Ball-tossing was played at the ceremony occasions such as Ba-Guan Festival and He-Qing Festival and treating Chinese emissaries. There were different settings,orations and librettos on different occasions.