谈《大象·一念》中传统文化元素的舞台运用

The Stage Application of Chinese Traditional Elements in Great Form·One Thought

文章以"中国舞蹈十二天"念云华编导的作品《大象·一念》为研究对象,尝试分析中国编导近几年来对"传统"的思考与关注,并用"现代性"手法进行舞蹈创作的大趋势。念云华作品由"wū"、"wú"、"wǔ"和"wù"四个篇章构成,巫,无,舞,悟,本身就是传统文化中的重要因子;而贯穿整个作品的水墨景致,亦处处可见中国传统元素。作品巧妙地将传统文化元素有效地呈现在舞台,在层层拆解作品结构、语言方式的过程中,运用当代人的眼光、审美意识和表现方法传递出博大精深的中国传统文化。这种善用传统元素却又颇具当代艺术特征的形式表现,体现出编导对传统文化元素运用的独到策略,值得我们探讨与借鉴。

This paper focuses on the work Great From·One Thought,created by Nian Yunhua,of ＂China Dance for Twelve Days＂. It analyzes the general trend of the concern and the modern creation of Chinese choreographers on ＂Chinese Tradition＂in recent years. This work is composed by four chapters as＂wū＂、＂wú＂、＂wǔ＂and＂wù＂,referring to the four factors of witch,nihility,dance and comprehension,which belong to Chinese traditional culture. Chinese traditional elements run through the whole dance with the ink-wash scene. In the process of analyzing the structure and language of this dance,the paper analyzes the sense of form of Chinese directors by using Chinese traditional elements with the contemporary arts.